SPWS & Observatory present Charles Stankievech, 5/20/12

Sunday, May 20th, 7 PM
SP Weather Station and Observatory present:

Over the Rainbow, Under the Radar:
Electromagnetic Infrastructure and Outpost Architecture in the Arctic
Lecture and audiovisual presentation by Charles Stankievech

Image: Das Eismeer aus Licht, NASA Astronomy Photo of the Day, Feb 8, 2011. © Charles Stankievech + Anna Sophie Springer, 2011

Observatory
543 Union Street at Nevins Street, Brooklyn (directions below)
$5 suggested donation

Over the Rainbow, Under the Radar is an audiovisual presentation of Charles Stankievech’s experience of the Arctic as a hybrid zone of brute reality and fantasy projection. Combining archival material, scientific theories, geopolitical maps and the artist’s own fieldworks, the lecture engages ideas of military colonialism and communication technology embedded in the sublime landscape. Stemming from Stankievech’s time living in Northern Canada and travelling to remote military outposts, Over the Rainbow draws from primary research ranging from his visit to the archives at Massachusetts’s Institute of Technology as well as a residency with the Canadian Department of National Defense at the northernmost settlement in the world (the Signals Intelligence Station ALERT). The resulting material includes images and video taken by the artist published by NASA and commissioned by the National Arts Centre in Ottawa, as well as shown in museums and galleries from Palais de Toyko, Paris to the Musee d’art Contemporain in Montréal. The lecture was originally commissioned for the Phyllis Lambert Seminar 2011 at Université de Montréal.

About Charles Stankievech:
Charles Stankievech is an artist who creates “fieldworks.” His diverse body of work has been shown at such places as the Palais de Toyko (Paris), International Symposium on Electronic Arts (ISEA2010, Germany), Xth Biennale of Architecture(Venice), Eyebeam + ISSUE Project Room (New York), the Musee d’art contemporain Montreal and the Canadian Centre for Architecture. He has curated such unorthodox exhibitions as Magnetic NorthsA Wake For St. Kippenberger’s MetroNet, and the series OVER THE WIRE with Lawrence Weiner, Gary Hill, Tim Hecker, Centre for Land Use Interpretation, Lize Mogel and others. His writings have been included in academic journals, such as Leonardo Music Journal (MIT Press) and 306090(Princeton Architectural Press), artist’s catalogues and translated into several languages. Stankievech holds an MFA in Open Media with a thesis on sound and architecture and a previous critical theory thesis on Slavoj Žižek and Franz Kafka. He currently is artist-in-residence with the Canadian Department of National Defense with a sortie to CFS ALERT—northernmost settlement in the world and active signals intelligence station. Upcoming projects include a public art commission by the government of Washington, D.C., the exhibition Oh, Canada at MASSMoCA, and artist-in-residence at Marfa, Texas. A founding faculty member of the Yukon School of Visual Arts in Dawson City, Stankievech splits his spacetime between the Yukon and Berlin.

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Collection of Cloud Projects

A great collection of cloud-based projects on the Cloud Factory website. Thanks Olivier for the info! Here’s a screenshot from the site:

Wind Map

Visualization experts Fernanda Viégas and Martin Wattenberg impress again with their Wind Map project.

WEATHER MASS MOVEMENT

Thanks to Hope Ginsburg and her Time Studio students at VCU for making WEATHER MASS MOVEMENT, a participatory stop-action animation of Hurricane Irene, come to life in the Sponge HQ in VCU’s Anderson Gallery.

This is the first in a planned series of stop-motion videos illustrating changes in the sky that take place over time.

We had an amazing experience working & learning with the group; more photos from the footage we’re still processing – and our talk at Saturday’s pancake breakfast online here and below.

Get the flash player here: http://www.adobe.com/flashplayer

Here is our QUICK overview in a 2-min video–the first 1.5 min is the making-of super fast, the last approx 20 seconds is the resulting hurricane animation.

SPWS to VCU

Sponge HQ presents:

WEATHER MASS MOVEMENT (Parts 1 & 2)
Public Screening and Lecture and Pancake Breakfast

with

SP Weather Station
Natalie Campbell & Heidi Neilson
in collaboration with VCUarts Art Foundation Students

Saturday April 21, 11AM
907 1/2 W. Franklin St.
Anderson Gallery, 3rd floor

During a workshop at VCUarts April 19-21, SP Weather Station will collaborate with students in Hope Ginsburg’s Time Studio course to stage Weather Mass Movement, a collectively constructed time lapse animation of Hurricane Irene’s progress along the Atlantic Coast from August 20-29, 2011. This is the first in a planned series of stop-motion videos illustrating changes in the sky that take place over time. Following the student workshops on April 19th, SP Weather Station will present photos and video of this work-in-progress and discusses past works by SPWS and its collaborators that find new ways to represent or reflect upon weather data and unseen natural forces.

Poster design by Riley Duncan

Reposted from Spongespace Blog, thanks Hope!

First-Ever National Weather Center Biennale

From Artinfo:

by Benjamin Sutton

It’s raining biennales! And though the National Weather Center (NWC) didn’t forecast the recent deluge of bi-annual art prizes, it did announce yesterday that it would throw its weatherproof hat in the ring. To wit, next year will see the debut of the National Weather Center Biennale. Since we are already a week or so past April Fool’s Day, we assume that this is not a joke. Indeed, there’s some serious cash involved: The best weather-themed art picked for the show will score a $10,000 prize.

The call for submissions to the NWC Biennale launches later this month, with artists asked to propose work anytime between April 22 (which, appropriately, is Earth Day) and October 1 (which does not coincide with any particular environmental holiday). The inaugural exhibition will open April 22, 2013, at the NWC’s main building on the University of Oklahoma’s campus in Norman, Oklahoma, and close on June 2.

OU instructor Alan Atkinson, who will serve as both curator and a member of the initial selection committee, explained the thinking behind the biennale in a press release announcing the new exhibition and prize: “It is easy to see how the weather influences peoples’ daily lives, but art often exerts a more subtle influence. It makes sense to combine them in a venue that will underscore the ways that both art and weather shape our humanity.”

What kind of art can we expect in the National Weather Center Biennale? “Acceptable media categories include paintings in oil, acrylic, gouache & watercolor, works on paper including all dry media (graphite, colored pencil, pastel, etc.) and hand-pulled prints and photography,” according to the contest specifications. Submissions also cannot exceed 60 by 60 inches and 50 pounds, and must be fitted to be hung on a wall. In other words, if you were looking for the environmental installations of someone like Danish-Islandic “weather artist” Olafur Eliasson, don’t get your hopes up.

An as-yet-undetermined jury of three — a national meteorologist, a contemporary museum staffer, and a renowned artist — will select winners of $5,000 prizes in three categories (painting, works on paper and photography) and confer the prize for the best piece of weather art among the 100 works included in the exhibition. Participating artists can submit up to three works for consideration — though competition for the sizable purse is bound to be tempestuous and not suitable for artists susceptible to high-pressure systems.

Richard Garrison (SPWS interpreter 2008) upcoming show

Richard Garrison, December 2008 SPWS weather interpreter, is exhibiting new works at RHV gallery in Brooklyn April 12 through May 20, 2012.

Opening reception: April 12, 2012, 6-8pm
RHV Fine Art, 683 6th Ave, Brooklyn, NY 11215

More info: http://www.rhvfineart.com/exhibitions/20120412-richard-garrison

From the press release: Richard Garrison analyzes ubiquitous materials and objects from the suburban American landscape, such as Sunday newspaper sale circulars, drive-thru window menu color schemes and product packaging. Through a process of careful scientific-like scrutiny Garrison dissects and restructures the color schemes of common everyday objects and creates Minimalist compositions that expose the beauty in the banal. This deconstruction of quotidian objects and experience is a personal, non-judgmental, examination of the visual, emotional and conceptual aspects of consumerism.

http://www.rhvfineart.com/exhibitions/20120412-richard-garrison

Clouds by Berndnaut Smilde

From The Design Ark: Amsterdam-based Berndnaut Smilde created these wonderful cloud creations with a combination of smoke, moisture, and dramatic lighting. His work experiments with the concept of “the physical presence of transitional spaces”.

 

…Thanks to Cat Krudy

Weather Song Tournament – ON NOW!

Today is the first round kickoff of the Weather Channel’s Weather Song Tournament,  with 16 matchups, 8 in the “sun region” and 8 more in the “elements region”,  as part of a 3-week effort to determine the all-time favorite weather song. Check out the bracket–some tough choices await–can we really choose between the Sesame Street theme and Elton John’s ‘Don’t Let the Sun Go Down On Me’?

 

S.P. (Special Preview) for 2011 Reports – Wrapup

The one-day exhibition S.P. (Special Preview): 2011 Weather Reports took place Sunday February 26th at Flux Factory, gathering recently completed editions and works-in-progress from the twelve artists and artist-collaborations who created new work for the 2011 installment of this ongoing publications series.

Each year since 2008, SPWS has invited 12 artists to ‘report’ on the weather for each month of data taken by its weather instruments located on the Flux Factory rooftop.  The participating artists produce these reports in an edition of 30, and SPWS collates them into archival portfolio boxes with a standard format.

Previewing works before assembling the portfolios gave us a unique opportunity to see variable editions all together as an unbroken set that will never exist again in the same way: for example, Michelle Rosenberg and Howard Huang’s Visor Calendar, where each hat is associated with the conditions on a different day of June, and Hope Ginsburg’s report Toy Sponge Divers with July High Temperature Data, which records SPWS’s daily readings on colorful felt cutouts of a scuba diver, referencing Ginsburg’s upcoming research trip to study sea sponges off the coast of Belize.  A stack of crayon line drawings on ruled notebook paper by eteam, No day without weather, mischievously plays with the notion of data-driven art while creating a concrete stand-in for the month of August.

Works were installed around the gallery in calendar order, and we spoke to some of the artists in an informal walkthrough.  We will continue to profile participating artists and their work over the next month and plan to announce the completed portfolios in late March.  More after the jump… Continue reading