Charles Koegel, “Weather Report”

On view in “Part of the Story,” Lower East Side Printshop, NYC (through May 12):

koegel

Charles Koegel, “Weather Report,” 2013

Ellie Irons in “Drawn to Nature,” Wave Hill

2013 SPWS Weather Interpreter Ellie Irons will present a range of pieces from her Invasive Pigments project, opening tomorrow. Ellie will conduct a workshop this Saturday April 6th from 12–2pm; the exhibition reception is on Sunday, April 7th from 2–4:30pm. Full details/link below!

Drawn to Nature
Wave Hill, Glyndor Gallery
April 2 – June 16, 2013

Directions & shuttle info here

Happy World Meteorological Day

March 23 is WMO World Meteorological Day! Celebrate by viewing the World Weather Watch photo exhibition via flickr :

Get the flash player here: http://www.adobe.com/flashplayer

‘Types of Weather’ exhibition in Germany

08.03.2013 – 19.05.2013 isolated showers – TYPES OF WEATHER

From the website, thanks to google translate:

The starting point of the exhibition “Chance Showers – forms of weather” is the surprisingly large number of current artists whose interest in the weather is fed by its complex connections with our immediate reality of life: in her oeuvre given concrete form and effects of the weather plays a central space. Phenomena such as snow, ice, rain, fog, clouds, wind / storm, lightning and sunshine are examined and aesthetic constellations transferred, sometimes they are even a genuine component of the works by the materials are exposed to the weather, or by in the work of “real” rain or storms. Some artists focused on the desire to record the weather, check or simulate can and ask for the controllability of nature. For other artists, the weather becomes a metaphor. The exhibition “Chance of Showers – forms of weather “It’s about the possibility of the perception of weather – as a precondition for discussion technological or policy change. In this respect, the project could be classified as a kind of artistic foundation. The exhibition spans the entire exhibition space (800 sq m) of the Frankfurter Kunstverein, in a variety of planned activities are new productions.

Participating artists: Stefania Batoeva (b. 1981, BG, lives in London), Daniel Gustav Cramer (born 1975, UK, lives in Berlin), Spencer Finch (b. 1962, U.S., lives in Brooklyn), Sebastian Grafe (born . 1976, UK, lives in Berlin), George Kuchar (1942-2011, U.S.), Gerhard Lang (b. 1962, UK, lives in New York), Flo Maak (b. 1980, UK, lives in Frankfurt), Iñigo Manglano-Ovalle (born 1961, ES, lives in Chicago), Matthias Meyer (b. 1972, UK, lives in Hamburg), Rivane Neuenschwander (b. 1967, BR, lives in Belo Horizonte), Iris Schomaker (b. 1973 , DE, lives in Berlin), Klaus Weber (b. 1967, UK, lives in Berlin), John Woodman (born 1949, UK, lives in Carlisle Cumbria)

Curator: Antje Krause-election

Richard Garrison @ Volta NY

Richard Garrison, who contributed a Weather Report to the first-ever SP Weather Reports portfolio in 2008, presented new work at Robert Henry Gallery’s booth at Volta NY March 7-10, 2013.

Garrison analyzes ubiquitous materials and objects from the suburban American landscape, such as Sunday newspaper sale circulars, drive-thru window menu color schemes and product packaging. Through a process of careful scientific-like scrutiny Garrison dissects and restructures the color schemes of common everyday objects and creates Minimalist compositions that expose the beauty in the banal. This deconstruction of quotidian objects and experience is a personal, non-judgmental, examination of the visual, emotional and conceptual aspects of consumerism.

Here’s a snap of the booth and a detail of the work.
More info here.

RichardGarrison-Volta2013
RG-CircularColorScheme-Sears-Jan30-Feb5-SaveUpTo1300-HiRes-Detail.232231

Above:

Installation view of Robert Henry Contemporary booth, Volta courtesy of Richard Garrison

Richard Garrison
Circular Color Scheme: Sears, January 30-February 5, 2011, Page 1, “Save up to $1300 on TVs on this page”, 2011
Watercolor, gouache and graphite on paper
11″ x 11″
Detail
©2013 Richard Garrison/Robert Henry Contemporary

Report from the Galapagos

SP Weather Station recently interviewed Katherine McLeod, SPWS weather interpreter for October 2013, about her recent experience in the Galapagos.

SPWS: How did you find yourself going to the Galapagos?

KM:  The whole idea to go to the Galapagos came from an artist I met while on residency at the Headlands Center for the Arts, Christina Seely. She’s doing some amazing work on climate change, on how it alters natural rhythms in ecosystems. One of her projects involves comparing the arctic to the equator, and so was traveling to the Galapagos to finish it, and need help—that’s where I came in.

I went down there to try to learn about the community that has formed there. The Galapagos is such a mythic place, and all of the publicity that surrounds it hardly ever mentions the people. But since the 1970′s, a lot has been happening in the towns there. Before the 1970s other strange and interesting spurts of population existed, but most of those died out. Initially the main economy was fishing—people came over from mainland Ecuador in search of jobs—and more recently all of the industry is centered around tourism. Families are growing and now there are more and more native Galapagosians.

I went with a somewhat tongue-in-cheek idea to try and find a way to relate to this community that has formed on such a mythic place: to gather information for the ‘Galapagos Complaint Department’. I had in mind to talk to full-time residents of the Islands about what in their daily lives irks them, since life living on an environmental celebrity can’t be easy.

SPWS: Yes your idea of a Complaint Department does seem like a nice and funny way to engage people and find out what is going on.

KM: Yes, and in many was I fully expected it to be very different than whatever I envisioned for the place before I arrived. The system for finding formal complaints is not so easy to access, and government is organized very differently there. And, most inner workings such as that are decidedly separated from the tourist community. For example I spent a fair amount of time trying to find the municipal dump, to no avail—they keep it behind walls and were not comfortable with me being there.

SPWS: Ah yes—plans adapt when the real world intervenes!

KM: The project now has really become a meditation on change. These Islands have been made famous by their methods of change, and the most apparent thing to me upon arrival there was how fast and interestingly things were moving in the cultural world. There is a lot of construction going on…personal homes mainly, with very beautiful and creative architecture. The kids there have a lot of worldly outside influences (the Galapagos are a huge surfing destination, all the kids surf there). It just become clear that complaints were not the most interesting thing to focus on. One thing that became apparent was the lack of junk on the islands, no “junk” stores, no dusty shelves with anything old on them, or alley ways with useful trash.

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Snowstorm in 38 seconds

Here is the snowstorm that hit the Northeast in the last few days, out a Long Island City, Queens, New York window, in 38 seconds (timelapse: one frame per minute from 9:06pm February 7 to 12:31pm February 9).

Amusing follow up about this snowstorm: an article on the gawker website, ‘Snow Panic Has Driven Weather.com Completely Insane

Leandro Erlich’s “La Vitrina Cloud Collection”

Leandro Erlich’s “La Vitrina Cloud Collection”

Former Weather Interpreter featured as “Cold New Yorker” on CNN.com

Liz Zanis fights the weather on the CNN.com homepage this morning!

“On Thin Ice, In a Blizzard” by Paula McCartney

A new artist book released recently by Paula McCartney, who is also creating an SP Weather Report for December 2012, imagines scenes of snow and ice entirely using darkroom manipulation. The project is a subseries of McCartney’s work, A Field Guide To Snow and Ice which isolates elements of natural and imagined wintry landscapes, imbuing them with otherworldly, cosmic aspects.

Paula McCartney
On Thin Ice, In a Blizzard
10 x 8 inch artist book
36 pages, saddle stitched with a die-cut soft cover
Published December 2011